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Wednesday, August 12, 2009

A Covet to keep-up classicism in Music

Foreword
“Nabhi-Hruth-Khanta-Rasana-naasaadhula-entho-shobhillu-saptaswara” - preached our musical Guru Saint Thyagaraja meaning “Praise/Sing the divine forms of the musical notes which radiate in the navel (“naabhi”), heart (“hruth”), neck (“kanTha”), tongue (“rasana”) and nose (“naasaadhula”) of the human body.” Those were the days when music was regarded divine; when music was considered to descend from mind and heart; music was then meant to be expressed by the soul and fulfilled through the heart. But today we are in the “synth” musical era. Do we call it a breakthrough or disgrace?

Film music model
There used to be a time when songs like Alaipaayude Kanna, Jagadhoddharana were purred by each kid in every house in contrast to the "hale paatre", "kaadal pisaasu", "tale baachkolo bai muchkolo" of these days. Charity begins at home, so does the taste or choice of music. I am not here to attest - Film Music is bad and anything else is good! Songs like Manasa sancharare, Bhagyada lakshmi baramma, Brochevaarevarura have been popularized through films and are a great hit of their times. Many oeuvres that have shown up in movies though not full-core classical, have been extremely soulful, melodious like “naguva nayana madhura mouna”,“Surmayee Ankhiyon Mein”(Sadma),songs featured in “Amruthavarshini” and oodles more. I am just frenzy about the jarring music, contemptible lyrics, tuneless pieces, prose-like libretto, and the synth-music - all that make up most of the movie music this day. This brand of music is swaying now to a degree that we have forgotten the very roots of music – “Classical music”.I sincerely wish the term remains familiar atleast. And when I state “Classical music”, I am referring to the mainstream music rooted in the tradition; not being predisposed to any one kind -South Indian classical (Carnatic), Western classical, Hindustani or Jazz.

New-fangled and synthetic music styles make most of the film music these days and the very concept of music has become so faint under the modern shield that such a transgression from the divine music to the now-music has passed by almost unobserved. Music, to the new generation is what comes in movies. I often see myself spending more time with people explaining how Classical music is different from film music...so to say, Film music has become a yardstick to which other musical forms are matched up to. Ragas are identified not with their names or their association to a familiar kriti but their similarity with a filmi number. Doesn’t it sound similar to "malare mounama" would be the question instead of isn’t this in raga “darbari kanada”. Does a musical piece get qualified only if it finds a place in a movie or is coupled to a video album? It’s a drift these days that film actors compose and sing their own songs. They shall be unconditionally accepted if they are genuinely multitalented .Does it appear so? Do we not just accept them because they are more acknowledged through the media than the less-known commendable musicians?

Music- an art of articulation
The meaning a musical piece attempts to convey is undeniably a personal expression of the composer's artistic intent; Music composing through synthesizers has made composers’ life easy; but does this music emote the expected expressions? The music of these days is more oriented towards celebrity. Anything that captivates the audience is music today – Does this music slope classically? Does it sound lyrically acceptable? Is it soulful? Is it emotionally strapping? Is it technically MUSIC? - Are these areas attended to? Film music need not be all the time classical music. It would be a sweeping statement to say film music should share ideas of language, emotionality, structure and format with concert music. It isn’t quite possible incessantly, for music in films is more context based. My rationale in bringing together the two topics – classical music and films is with a selfish drive; to make use of the charisma of films to popularize classical music under its banner. Classical music is definitely an art which has survived centuries and doesn’t need films to come for its rescue; but there is unquestionably a distinction between just surviving and being widely understood, accepted and acknowledged.

Music and Film industry
These days, watching films has become a passionate chore, so it would be easier to promote and grant a fine exposure to classical music if it can be accommodated in films. It is to be accepted that classical music demands musically tuned minds; let us at the least get a chance to tune the minds. It wouldn’t be as easy a meal to digest as some simple lyrical forms that we see in most movies. But what we need is a means to reach people and educate them what real music is about. Once they get a grab and perceptive, they will start asking for more. Don’t we find searing item numbers in every movie these days? No serious film maker can resist them. Every filmmaker slivers-in an item number, even if doesn’t fit in the flow of the film and this has become a whim in the film industry .When we can situate item numbers well in movies, why do we fail proffering a place for classical numbers? We have seen trends changing over years- musical trends, choreography tones and filmmaking styles. Film music is aired on TV channels and always gets its share of audiences’response. Can’t we make use of this changing trend to introduce classical music in a phased manner? It may take time to get acknowledged though.

Of classical music and musicians
We have had examples of Classical musicians playing excerpts from film music including our violin maestro Kunnakudi Vaidhyanathan. Why not we chase this approach; introduce one classical piece in every film .Thus classical music will be more revealed; Non-film music makers/composers also will get the needed recognition. It is a pity that Classical music artists receive very little appreciation and reward as against their Film counterparts. A playback singer who would have sung 5 songs in films would be more well-known than a classical artiste even after performing hundreds of stage concerts. The classical artists revel in the admiration of the crowd when their concert is on. And once the applause dies down, the curtains are lowered and the reality many classical musicians face is a struggle to make a living. Doesn’t our culture demand us to encourage and reward the worthy deserving Musical talents and help maintain our Classical music, the music of our roots?

Lessons from the past and the way forward

Movie Shankarabharanam led to the revival of Indian classical music in cinemas. The movie opens with the tag-line "Sisurvetti pasurvetti, vetti gana rasam phanihi” meaning Music is enjoyed equally by babies, animals and even snakes. The making of the movie was with an expectation that the audience would appreciate the effort in reaching to them the essence of Indian classical music. The success of this film was paramount that it triggered a sequence of other music-based movies like Thyagayya ,Meghasandesam, aanandabhairavi, sindhu-bhairavi, Saagara Sangamam, Sruthi Layalu, Swarna Kamalam, Swathi Kiranam.
The trend continues. People across ages will accept classical music and such movies even in these days of pop-music provided the movie-makers feature such class-movies without much discontinuity - you don't think about something when you no longer see it.... To top it, if such movies can be cast with public favored hero-ins and heroes, they cannot miss being monster hits; Annamayya featuring Sneha and Nagarjun is a must mention in this context. On repeatedly creating such movies, people with no or little taste of classicism will start appreciating and advocating such ventures. Acceptance is the end product of any repeated act; believing in optimism!

On a concluding note
Many musicians these days can create imperative music. They can create exhilaration and enhance the film sequence. But it is not mere excitement but the soulful stirring that frames true music. Soulful music awakens the heart. Such soulful music cannot be composed by lifeless computers, synthesizers. Good music making is a long-winded struggle that not many can easily master.

We are evolving…But what are we doing in the name of evolution? There's certainly a case for us being more intelligent, but what we're really doing is judging against what our musical ancestors have specialized in. Today’s music is quick music - written with computer skills, composed through synthesizers in contrast to the long-schooled, theory-footed, experience-driven music learnt over years of training. I’ve always reflected any form of art is trickier than we think.

At the end, the truth, of course, is people respond differently to different music. Nobody would cry their tears out listening to a so-called item number. But, when the classical musicians come out calling with a Raga at its depth, whether the emotion they induce is joy or pain, one can be rest assured to not just get a taste of it, but experience the emotions blossoming hundred-fold.

It will do good if this article is read as an ingenuous crave to preserve classicism in Music than a blue murder.

Revathi Sridharan

Monday, August 3, 2009

A peaceful vacation in the lap of nature

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It took us swerving off the normal tourist trace into uncharted corners. Away from the head-reeling traffic, machined foodstuffs, fast-swelling cities the serene landscapes of North East made a great vacation. In the lap of nature, most pleasurable climate, vivid flora, uncomplicated people with inviting smile, the raw environ – what better a change can one expect?
A long planned vacation with my family to North East. I don’t remember when it was last did my father avail his LTC.I no longer fall under his LTC umbrella as the Govt thinks I am big a girl to take care of my own expenses. We started off on our journey, we –appa, amma, brother, periappa and me. Having spent enough hours surfing for the places of our visit on the net, we did have some expectation from the trip picturing charming tourist spots which could awe one's senses.
The journey commenced.
Day 1:
B’lore – Calcutta – Bagdogra (flight)
Bagdogra – Siliguri (alongside river Teesta) - Gangtok (Mini bus)
The airports of Calcutta and Bagdogra are no close to even the old Govt offices. Bagdogra is understandable owing to not much travelers’ stopover. It is just an air-gateway to North East India; but Calcutta cannot be an exemption knowing the kind of busy airport it makes.
We were received by our Tour Manager Mr Harish Rao of Vikram Travels, a typical Mangalorean in an alien land.
The drive from Bagdogra to Gangtok was beyond earthly imagination. The route stretches along a chain of cris-cross Mountains. Alongside, the river Teesta (originating from China) roars down all the way as one drives up to Gangtok. The frothy and cavorting Teesta gave us company all through our drive to Gangtok. Gangtok is an amiable town cuddled up in the Himalayan foot hills.
The mountain peaks all around are decorated by the misty clouds and the valleys garland them. The Buddha collectibles, Tibetan jewellery and short petite people dressed in richly woven textiles are a sight to see. It was around 7:00 pm when we reached Gangtok and it was raining then. Hot chapattis and Sabzi made our dinner followed by a cozy night stay at the same place - Hotel Highway.
Day 2:
Tsomgo lake (12,400ft ASL)
Baba Mandir (14,700ft ASL)
Hanuman Tok
A wakeup call at 6:00 am with nice hot tea followed by poori-baaji for breakfast made our morning easy. We started off on our Day 2nd program. The first place in the list was Baba Mandir. The drive to Baba mandir above Gangtok is along mystical environs, through the clouds, surrounded by stunning green valleys.
Baba mandir is built after the Indian Soldier (sepoy) Harbhajan Singh of Punjab regiment who was drowned in a fast flowing stream and went missing. The army troops failed to locate him and his weapons. For the army, it is a belief that unless the soldier’s weapons are found, he is alive. So the search for Singh went on, on for days. One fine night, the Singh showed up in the dreams of his comrade sepoy Pritam Singh and hinted him the location of his sunken(under ice)weapons .Legend also has the say that the Singh would warn the Indian army about the attacks at the border in advance. The Singh is known for his adherence to discipline and as a tribute to this great soul a shrine is built in his honor and army folks salute him with due respects. A camp bed, polished boots, army uniform are geared up at the shrine everyday in the belief that Harbhajan is still alive serving the Indian army. The Singh’s family is given salary drawn in his name till recently, till his retirement date. He may be drawing pension now on :) .Indian Govt is munificent you see ;).There is an idol of SaiBaba kept in the shrine, hence the name Baba mandir.
Stories apart….It is a beautiful place to visit. The shrine is near the Nathu-La pass (Indo-China gateway), the route more commonly acknowledged by the name “Silk route”. The drive is extremely scenic .It was the blossom period for the rare yellow flowers which can be seen only at heights more than 10000ft. As told by the localites a particular variety of drooping yellow flowers when smelt is unsafe and may cause dizziness too - No second thoughts they were a way too attractive. The route is prone to landslides. BRO (Border Road Org) is doing a great job in clearing up the path and maintaining the route usable all the time without much inconvenience.
There is a small memorial opposite to this shrine where we can get ourselves certified for having visited The Watershed memorial, Sherathang. All of us took the certificates with pride, did little shopping in the local store there and got on to our vehicles. (Sumo)
On the way back to Gangtok, we halted for lunch at a small hut. Fortunate to get a taste of typical Chinese food - noodles and fried rice (The mummies and daddies in the trip did not fancy it though). Heading back, we got down at Tsomgo lake – a lake formed entirely by glaciers. It's cool, placid water complements with the scenic beauty around. Also known as Changu Lake, Tsomgo Lake is regarded very sacred lake by the local Buddhists and the Hindus, no boating, no dipping or any kind of water sport is entertained here except for the fun of enjoying Yak Ride near the lake. Not a big one, but a rarity to find such a beautiful lake at such heights.
On a bifurcation road of the Gangtok-Nathula Highway, is a temple devoted to Hanuman-Hanuman Tok. The temple is beautifully maintained in partial collaboration with the Indian Army at Gangtok; it can be easily gauged by the neatness and beauty of the tok. The local Army makes the most devotees to Hanuman. When we visited the temple, we could see a group of sepoys framing the Bhajan group. Our family sat to chant Hanuman Chalisa. It was so refreshing to bestow our prayers to Lord Hanuman at such great height. The feeling was totally different, as though amidst the clouds. The Himalayan range presents a panoramic picture from the Tok. We can get a bird’s eye view of the beautiful town of Gangtok from Hanuman Tok.
These places marked our day and we were not left with many hours in our pocket than to just get back to our rooms and rest.
We headed back to the hotel and halted there for the night. Worth mentioning was our driver’s company throughout the journey. Minmoy, a Sherpa by birth was so engaging with his tuneful company, playing Mukesh, Rafi, Kishore hits and humming along. I still can’t forget his drooping eyes dancing and smiling to his hum in the vehicle’s rear mirror.
Day 3:
Darjeeling
Padmaja Naidu Zoo
Himalayan Mountaineering Institute
Tea estate
Started off to Darjeeling in the morning. The queen of hills is bordered by Sikkim in the north, Nepal in the west and Bhutan in the east. We reached Darjeeling by noon 2:00, perfect for the lunch time. Stay at Hotel Princess. The local restaurant “Hasty Tasty” was the only decent Veg restaurant near our hotel; it took them a while to serve us-a group of 25 people. After lunch, we headed to Padmaja Naidu Himalayan Zoological Park and the Himalayan Mountaineering Institute (HMI) in a private vehicle engaged by our Tour guide.
The zoo boasted of having the Siberian tiger, Himalayan black bear, red panda, snow leopard and many other animal and bird species. But we weren’t lucky enough to see them all. The most commonly seen animals there were the deer, leopard and fox species. The HMI has a museum housing a historic collection of mountaineering equipments, Himalayan conquest legends, the route maps taken by the old mountaineers to reach the peak, their success stories etc. The institute situated on a small hill top is a pilgrimage for all mountaineering enthusiasts.
We continued our drive to a tea estate near-by and enjoyed the Darjeeling tea prepared out of raw tea leaves of the same estate unlike the normal tea primed from tea dust; halted a while for photos.
Back to hotel, had good dinner and played a round of rummy. We played almost till 12:00 in the night and wishfully hit the bed as we had to rise up by 3:00 the next morning to sight the Sunrise at Tiger hills.
Day 4:
Tiger hills
Batasia loop
Buddhist monastery
Pashupatinagar
Mirik
Headed to Tiger Hills at 3:30 am, the place renowned for the sunrise view over Khangchendzonga (Kanchenjunga) and the eastern Himalayas. The first rays of the sun shot ahead and shed light upon the twin peaks of Kanchenjunga and gradually painted the whole of its snow body visible. The wait was a little restless for the curiosity to get a glimpse of the snow clad Kanchenjunga was taking us over. Though the time of our visit was cloudy, we were fluky enough to get a glorious sight of the snow-clad beauty at 5:10 am-the sunrise time for the day. No camera of any high resolution can arrest this beauty. We experienced heaven. No paints, no colors would match the rich dye of the mountain range and the sunrise. Nature was at its best; beauty at its paramount! We quenched our thirst with the most glorious sunrise followed by a flavorsome hot Darjeeling tea and headed down to Batasia loop and the War memorial.
Batasia loop is an engineering marvel. The railway line here makes a 360 degree turn to get a panoramic view of Kanchenjunga. We could just get enough lucky to enjoy the scenic beauty at the place and wonder at its Engineering; missed out on the toy-train ride. There were a few localites at this place advertising Darjeeling clothes and accessories .We all clad ourselves in those exquisite dresses and posed for a few good shoots. The toy train and Batasia loop are a few striking examples of the British influence on Darjeeling. Way back to the hotel, we visited a Buddhist monastery, admired the fine-looking paintings captured a few photos.
Back to hotel “Hasty Tasty” for breakfast .We started off in our mini bus to Mirik.
We drove via Pashupatinagar – a well known shopping street on Indo-Nepal border. Shopping malls in Pashupatinagar are known for their wide variety of electronic goods, winter clothing, cosmetic-creams etc. A word of caution here: Buy only the goods which you can make sure like the clothes, creams, shoes .We went for pen drives tempted by their relatively cheaper rates, but were totally disappointed to learn that none of them were working right. Sweaters, shoes, winter wear, cosmetics make a good buy here. From this market, Mirik is 4 kms distant.
Mirik is a lesser known hill-station not much visited by all tourists except for those who go with package tourism. We stayed at a hill-resort “Sadbhavana”. The landscaped gardens, small beautiful tourist cottages, pleasant weather surrounding the Sumendu Lake are the attractions of Mirik.
Not many tourist vehicles to take us around. Our Tour manager hired us a local 4-wheeler (Santro Zing) to visit a monastery atop a small hill.
The lake is the main attraction in Mirik and there is a 5 Km path around it. A walk around the lake took us through the dense forest of pine, cardamom - absolutely captivated our heart. Amidst the forest is a small Durga temple - the local deity (GramDevtha). One can enjoy boating in the lake. To complement the cool serene atmosphere, horse riding is facilitated around the lake. Beware of leeches in the lake area (Appa carried one all the way to the hotel).That’s about Mirik.
There isn’t much to say about this place; but lots to experience and take back home (Am not talking of leeches :)). Unlike our Ooty, Kodai, the place is not so commercialized and still holds in it a sense of originality and freshness.
Day 5:
Mirik - Bagdogra (Mini bus)
Bagdogra - Calcutta - B’lore (flight)
Our vacation had come to an end. We had a lazy rise and started back on our journey after morning breakfast at Mirik. The drive back to Bagdogra over a long, rutted road nudged us to reality. Our tour manager was capable enough to entertain us till we reached the airport at Bagdogra with his puzzles, jokes and wit-lines.
We thoroughly enjoyed our vacation programmed by Vikram travels. We were particularly pleased by the services provided by them. Our tour guide Mr Harish Rao made our trip more memorable with his timely corny jokes. We are all back home with lovely memories imprinted in our hearts, still lurching in the heady scent of tea leaves, steamy momos, sight-blurring mist, Sikkimese masks ,Buddhist figurines.
Time of visit: July end
Mode: flight till Bagdogra And bus, sumo, cars - as the roads demand
Climate: pleasant
Food: Good vegetarian food (customized to suit travelers from South India –Thanks to Vikram travels)